Notes
The 8-sided Ĉola was Wheatstone's deluxe model concertina, with raised ends, best steel reeds, riveted action, and  top-quality materials and craftsmanship throughout.  This is a fine example, an ebony-ended, 48-button treble English, a very responsive player with a tone that's bright but not harsh.  Though the serial number of 24085 is from the period where the Wheatstone company ledgers are missing, it's close enough to the existing ledgers (which start at 25000 in 1910) that I can confidently say it was built somewhere within the years 1905-07.

This instrument was given full maintenance by Steve Dickinson (Wheatstone & Co.) in 1994-5, though in fact it needed very little work then.  It does, however, have new pads and valves.  The original finish was left as is, with minor scuffing that you need to look closely to notice.   The instrument is very tight, and I find that with its 5-fold, original bellows I can play longer without reversing direction than on many concertinas with 6--fold bellows.  There is a lever-type air valve.  It comes with a sturdy, "square" hard case.  According to my kitchen scale, the concertina weighs 1211 g (2 lbs. 10.7 oz.).

Below are some photos, followed by a number of sound files to demonstrate the sound and response of the instrument under different playing conditions.


Note:  I have now added the internal photos (save one, which I forgot to take; but it's nothing special, and I'll do it soon). Sound files with song accompaniment and more examples of harmony later tonight or tomorrow morning.





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Photos
Below are the digital photos, both inside and out.

Note:  By clicking on the "full" and "half" links under the photos, they can be viewed at two levels of greater resolution (detail), in addition to the array of small images on this page.   The "full" images range in size from 245 Kb to 483 Kb, and the half-sized "half" images range from 76 to 191 Kb. The latter are recommended for those with slow internet connections.






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View from right end

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Right end

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Under side of right end

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Right action

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Under side of right pad board

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Top of right reed pan

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Under side of right reed pan

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Thru bellows from right end

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Thru stretched bellows from leftt end

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Under side of left reed pan

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Top of left reed pan

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Under side of left pad board
missed this one; coming soon

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Left action

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Under side of left end

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Left end

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View from left end

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Detail of right action
showing air lever

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Oblique view of left action

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Closeup of serial number

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Closeup of Wheatstone label


Sound files
These sound files were all recorded in my living room, a moderately "dead" space, soundwise.  They were all recorded with the above instrument, using a single microphone, and all at the same distance from the microphone.  They are in MP3 160 Kbit format, not the highest fidelity possible, but reasonably good while retaining reasonable file size.  They have not been enhanced in any way (except for the removal of a few displays of gross incompetence in my playing).  Though I'm not a virtuoso player, I hope they give some idea of both the sound and playing capabilities of the instrument.


full scale, played softly (143 Kb)
The C scale, played from the highest C down to the lowest G, to demonstrate the sound over the full range.
In this example the notes are played softly, with gentle bellows pressure.   Compare it with the next example to get an idea of the dynamic range.

full scale, played loudly (124 Kb)
The C scale, played from the highest C down to the lowest G, to demonstrate the sound over the full range.
In this example the notes are played loudly, with strong bellows pressure.   Compare it with the previous example to get an idea of the dynamic range.

Off to California, played softly (341 Kb)
The first part of a popular hornpipe.
This is another soft-loud comparison, here under actual playing conditions.   Compare this with the next example.

Off to California, played loudly (291 Kb)
The same hornpipe again.   Compare it with the previous example.

Lament for Owen Rowe (542 Kb)
A favorite Irish air, played once through, with harmony.

kopanitsa (715 Kb)
A quick Bulgrarian dance tune in 11/16 time.
This uses some simple harmony and a emphasizes the upper octave.

Flowers of Edinburgh (293 Kb)
A common reel (played without repeats).

The Laughing Banshee (341 Kb)
An Irish jig, once through without repeats.

Humours of Castslecomer (812 Kb)
Another jig, with some ornamentation.

Planxty Irwin (843 Kb)
An Irish air by O'Carolan, with harmony.  (Played without repeats.)

Whose Garden Was This (739 Kb)
One verse of a song by Tom Paxton, accompanied by held chords.

Rosin the Beau (718 Kb)
One verse of a traditional song, accompanied by stepped chords.

Maid of the Sweet Brown Knowe (399 Kb)
One verse of an old Irish song, with simple harmony (in the key of Eb)

Fiddler's Green (764 Kb)
One verse of a popular contemporary song, with varied accompaniment.

You Can't Make a Turtle Come Out (466 Kb)
One verse of a song by Malvina Reynolds, accompanied by bass-chord alternation.

Za Lyesom (697 Kb)
One verse of a Russian song, with the concertina providing the second voice.

Wot Cher (676 Kb)
One verse of an English music hall song, accompanied by the melody and sparse chords.